CHAPTER 1: INTRODUCTIONPart 1: REALITIES OF PRE-PRODUCTIONCHAPTER 2 WHAT'S FIRST? CHAPTER 3 WE'RE STILL READING THE SCRIPT CHAPTER 4 A FEW MORE THINGS TO THINK OF CHAPTER 5 SHOT LIST CHAPTER 6 CREW CHAPTER 7 LOCATIONS CHAPTER 8 SELECTING A CAMERA CHAPTER 9 SELECTING THE LENS CHAPTER 10 SELECTING FILM STOCK CHAPTER 11 SELECTING A TRIPOD AND HEAD CHAPTER 12 WHAT EVERYONE ELSE IS DOING TO PREP CHAPTER 13 THE NIGHT BEFORE Part 2: PRODUCTIONCHAPTER 14 ON TIME AND READY TO SHOOT CHAPTER 15 FIRST DAY/ FIRST SHOT CHAPTER 16 SHOOTING MASTERS CHAPTER 17 CLOSE-UPS AND COVERAGE CHAPTER 18 OPERATING THE CAMERA CHAPTER 19 STILL MORE COMPOSITION or FOLLOW THE MONEYCHAPTER 20 THE HORROR OF THE 180º LINE CHAPTER 21 THE GOOD, THE BAD, AND THE UGLY (Not necessarily in that order)CHAPTER 22 LEARNING THE HARDWARE CHAPTER 23 WHY WE LIGHT CHAPTER 24 EXPOSURE CHAPTER 25 EXERCISE: SHOOTING YOUR PROJECT ON FILM Part 3: POST-PRODUCTIONCHAPTER 26 POST-PRODUCTION: TIMING AND TRANSFERRINGCHAPTER 27 POST-PRODUCTION: PUTTING TOGETHER A REELPart 4: TECHNICALITIESCHAPTER 28 CAMERAS: BLACK BOXES CHAPTER 29 LENSES CHAPTER 30 FILMCHAPTER 31 COLOR TEMPERATURECHAPTER 32 USING AND HANDLING FILM CAMERAS AND LENSESCHAPTER 33 USING A TRIPOD AND HEADCHAPTER 34 THE DOLLY GRIPCHAPTER 35 LABORATORY | Shooting Movies Without Shooting Yourself in the Foot by Jack Anderson, Paperback | Indigo Chapters