Through films such as Orphan, Insidious, and Carrie, Kimberly Jackson reveals how the destruction of male figures and the depictions of female monstrosity in twenty-first-century horror cinema suggest that contemporary American culture finds itself at a cultural standstill between a post-patriarchal society and post-feminist ideology. | Gender And The Nuclear Family In Twenty-first-century Horror by Kimberly Jackson, Hardcover | Indigo Chapters